Harry Chapin · Verities & Balderdash
Cat’s in the Cradle
Cat’s in the Cradle is in F major at 154.7 beats per minute.
Tempo
155 BPM · Allegromedian of 177 analyses · 154.6–154.8 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 81%share of analyses that agreed
- Analyses
- 177people who ran the extractor
- One beat
- 387.8milliseconds, 60,000 ÷ BPM
- Tuning
- 439.2Hz · -3 cents from A 440
- Dynamics
- 4.71dB the level wanders from its average
- Loudness
- 0.731Essentia's 0–1 scale, not dB
- Danceability
- 1.202Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
177 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 81% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 177 readings; 99% of them land within 2% of it, and they barely differ at all.
At 154.7 BPM one beat lasts 387.8 milliseconds, so a sixteenth note is 97 ms and a dotted eighth 290.9 ms — the delay times for this recording. Counted half as fast it is 77.4 BPM, counted twice as fast 309.4. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439.2 Hz, which is 3 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.71 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.731 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 155 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1551.4 | 0.64 |
| Half note | 2 | 775.7 | 1.29 |
| Dotted quarter | 1.5 | 581.8 | 1.72 |
| Quarter note (one beat) | 1 | 387.8 | 2.58 |
| Quarter triplet | 0.667 | 258.6 | 3.87 |
| Dotted eighth | 0.75 | 290.9 | 3.44 |
| Eighth note | 0.5 | 193.9 | 5.16 |
| Eighth triplet | 0.333 | 129.3 | 7.74 |
| Dotted sixteenth | 0.375 | 145.4 | 6.88 |
| Sixteenth note | 0.25 | 97 | 10.31 |
| Sixteenth triplet | 0.167 | 64.6 | 15.47 |
| Thirty-second note | 0.125 | 48.5 | 20.63 |
Half time 77.4 BPM · double time 309.4 BPM. Every row is one beat (387.8 ms) times the fraction in the second column.
Closest in key and tempo
- Play DeadBjörk & David ArnoldF major155BPM
- One and OnlyAdeleF major155BPM
- A Man Needs a MaidNeil YoungF major155BPM
- Crazy Little Thing Called LoveMichael BubléF major155BPM
- No SurprisesRadioheadF major154BPM
- Let Me LiveQueenF major155BPM
- Mutant ConvoyTyler Bates & Joanne HigginbottomF major155BPM
- DarleneLed ZeppelinF major155BPM
- DoubtMary J. BligeF major154BPM
- Take It or Leave ItThe StrokesF major154BPM
Recordings in F major, ordered by how near their tempo is to 155 BPM. A calculation, not a recommendation.
All songs in F majorAll songs at 155 BPMF major at 150–159 BPM
MusicBrainz collapses 21 recording ids into this one. Recording id 199bfc35-4ac3-4604-a895-3af3497c7da2.