TempoPeek

Guns N’ Roses · Appetite for Destruction

Anything Goes

Anything Goes is in A flat major at 151.6 beats per minute.

4080120160200

Tempo

152 BPM · Allegromedian of 168 analyses · 151.4–151.7 across the middle eight tenths
Key
A♭ major4 flats · the key most of the analyses agreed on
Agreement
93%share of analyses that agreed
Analyses
168people who ran the extractor
One beat
395.8milliseconds, 60,000 ÷ BPM
Tuning
439.7Hz · -1 cents from A 440
Dynamics
2.18dB the level wanders from its average
Loudness
0.942Essentia's 0–1 scale, not dB
Danceability
1.139Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

168 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 93% — put it in A flat major, a key signature of 4 flats. The tempo printed above is the median of the 168 readings; 99% of them land within 2% of it, and they barely differ at all.

At 151.6 BPM one beat lasts 395.8 milliseconds, so a sixteenth note is 98.9 ms and a dotted eighth 296.8 ms — the delay times for this recording. Counted half as fast it is 75.8 BPM, counted twice as fast 303.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.7 Hz, which is 1 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.18 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.942 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A♭ major

Each of these differs from A♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 152 BPM

Note valueBeatsMillisecondsHertz
Whole note41583.10.63
Half note2791.61.26
Dotted quarter1.5593.71.68
Quarter note (one beat)1395.82.53
Quarter triplet0.667263.93.79
Dotted eighth0.75296.83.37
Eighth note0.5197.95.05
Eighth triplet0.333131.97.58
Dotted sixteenth0.375148.46.74
Sixteenth note0.2598.910.11
Sixteenth triplet0.1676615.16
Thirty-second note0.12549.520.21

Half time 75.8 BPM · double time 303.2 BPM. Every row is one beat (395.8 ms) times the fraction in the second column.

The same title by somebody else

  1. Anything GoesAC/DCD major121BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. LovelandThe B‐52’sA♭ major152BPM
  2. How Did I Fall in Love With YouBackstreet BoysA♭ major152BPM
  3. Bullet the Blue SkyU2A♭ major152BPM
  4. Brain StewGreen DayA♭ major152BPM
  5. Run To YouWhitney HoustonA♭ major152BPM
  6. Three Times a LadyCommodoresA♭ major151BPM
  7. “40”U2A♭ major150BPM
  8. This Is Your LifeCommodoresA♭ major154BPM
  9. NightrainGuns N’ RosesA♭ major149BPM
  10. Stamina$NotA♭ major149BPM

Recordings in A flat major, ordered by how near their tempo is to 152 BPM. A calculation, not a recommendation.

All songs in A flat majorAll songs at 152 BPMA♭ major at 150–159 BPMGuns N’ Roses

MusicBrainz collapses 14 recording ids into this one. Recording id 72d05954-1be0-4c76-8278-32a882097615.