All This and Heaven Too

170 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 73% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 170 readings; 94% of them land within 2% of it, and they barely differ at all.

At 163.8 BPM one beat lasts 366.3 milliseconds, so a sixteenth note is 91.6 ms and a dotted eighth 274.7 ms — the delay times for this recording. Counted half as fast it is 81.9 BPM, counted twice as fast 327.6. A score would mark that Vivace, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440.8 Hz, which is 3 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.3 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.942 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E major; the ones listed below are the closest in tempo.