TempoPeek

Fleetwood Mac · Fleetwood Mac

Warm Ways

Warm Ways is in E flat major at 92.1 beats per minute.

4080120160200

Tempo

92 BPM · Andantemedian of 192 analyses · 91.8–92.2 across the middle eight tenths
Key
E♭ major3 flats · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
192people who ran the extractor
One beat
651.5milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.75dB the level wanders from its average
Loudness
0.851Essentia's 0–1 scale, not dB
Danceability
1.199Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

192 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 192 readings; 100% of them land within 2% of it, and they barely differ at all.

At 92.1 BPM one beat lasts 651.5 milliseconds, so a sixteenth note is 162.9 ms and a dotted eighth 488.6 ms — the delay times for this recording. Counted half as fast it is 46.1 BPM, counted twice as fast 184.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.75 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.851 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E♭ major

Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 92 BPM

Note valueBeatsMillisecondsHertz
Whole note42605.90.38
Half note21302.90.77
Dotted quarter1.5977.21.02
Quarter note (one beat)1651.51.53
Quarter triplet0.667434.32.3
Dotted eighth0.75488.62.05
Eighth note0.5325.73.07
Eighth triplet0.333217.24.6
Dotted sixteenth0.375244.34.09
Sixteenth note0.25162.96.14
Sixteenth triplet0.167108.69.21
Thirty-second note0.12581.412.28

Half time 46.1 BPM · double time 184.2 BPM. Every row is one beat (651.5 ms) times the fraction in the second column.

Closest in key and tempo

  1. Ken Kaniff (skit)EminemE♭ major91BPM
  2. I Feel It ComingThe Weeknd featuring Daft PunkE♭ major93BPM
  3. Trouble SleepingCorinne Bailey RaeE♭ major91BPM
  4. God Gave Me Style50 CentE♭ major91BPM
  5. Westbound SignGreen DayE♭ major93BPM
  6. Ain’t Nothing Like the Real ThingMarvin Gaye & Tammi TerrellE♭ major94BPM
  7. It Ain’t Easy2PacE♭ major91BPM
  8. RubyKaiser ChiefsE♭ major94BPM
  9. When You’re GoneThe CranberriesE♭ major94BPM
  10. Feel Good DragAnberlinE♭ major94BPM

Recordings in E flat major, ordered by how near their tempo is to 92 BPM. A calculation, not a recommendation.

All songs in E flat majorAll songs at 92 BPME♭ major at 90–99 BPMFleetwood Mac

MusicBrainz collapses 7 recording ids into this one. Recording id 7f4fb646-0631-40b3-8996-2ca53e17ee14.