TempoPeek

Enrique Iglesias · Enrique

Be With You

Be With You is in E major at 122 beats per minute.

4080120160200

Tempo

122 BPM · Allegromedian of 155 analyses · 122–122 across the middle eight tenths
Key
E major4 sharps · the key most of the analyses agreed on
Agreement
94%share of analyses that agreed
Analyses
155people who ran the extractor
One beat
491.8milliseconds, 60,000 ÷ BPM
Tuning
447.2Hz · +28 cents from A 440
Dynamics
3.87dB the level wanders from its average
Loudness
0.931Essentia's 0–1 scale, not dB
Danceability
1.235Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

155 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 94% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 155 readings; 97% of them land within 2% of it, and they barely differ at all.

At 122 BPM one beat lasts 491.8 milliseconds, so a sixteenth note is 123 ms and a dotted eighth 368.9 ms — the delay times for this recording. Counted half as fast it is 61 BPM, counted twice as fast 244. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 447.2 Hz, which is 28 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.87 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.931 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E major

Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 122 BPM

Note valueBeatsMillisecondsHertz
Whole note41967.20.51
Half note2983.61.02
Dotted quarter1.5737.71.36
Quarter note (one beat)1491.82.03
Quarter triplet0.667327.93.05
Dotted eighth0.75368.92.71
Eighth note0.5245.94.07
Eighth triplet0.333163.96.1
Dotted sixteenth0.375184.45.42
Sixteenth note0.251238.13
Sixteenth triplet0.1678212.2
Thirty-second note0.12561.516.27

Half time 61 BPM · double time 244 BPM. Every row is one beat (491.8 ms) times the fraction in the second column.

The same title by somebody else

  1. Be With YouBeyoncéC minor150BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. Counting StarsOneRepublicE major122BPM
  2. Drive ByTrainE major122BPM
  3. Kingdom ComeDavid BowieE major122BPM
  4. Rock’n MeSteve Miller BandE major122BPM
  5. StarlightMuseE major122BPM
  6. Longfellow SerenadeNeil DiamondE major122BPM
  7. BadlandsBruce Springsteen & The E Street BandE major123BPM
  8. Tears Dry on Their OwnAmy WinehouseE major121BPM
  9. Only Happy When It RainsGarbageE major121BPM
  10. Life in a Northern TownThe Dream AcademyE major121BPM

Recordings in E major, ordered by how near their tempo is to 122 BPM. A calculation, not a recommendation.

All songs in E majorAll songs at 122 BPME major at 120–129 BPMEnrique Iglesias

MusicBrainz collapses 3 recording ids into this one. Recording id de1b52ef-a6a0-4e81-8c68-5d7cc705ec24.