TempoPeek

Eagles · One of These Nights

One of These Nights

One of These Nights is in C major at 110.1 beats per minute.

4080120160200

Tempo

110 BPM · Moderatomedian of 382 analyses · 110–110.1 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
89%share of analyses that agreed
Analyses
382people who ran the extractor
One beat
545milliseconds, 60,000 ÷ BPM
Tuning
436.7Hz · -13 cents from A 440
Dynamics
5.06dB the level wanders from its average
Loudness
0.873Essentia's 0–1 scale, not dB
Danceability
1.329Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

382 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 89% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 382 readings; 99% of them land within 2% of it, and they barely differ at all.

At 110.1 BPM one beat lasts 545 milliseconds, so a sixteenth note is 136.2 ms and a dotted eighth 408.7 ms — the delay times for this recording. Counted half as fast it is 55.1 BPM, counted twice as fast 220.2. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 436.7 Hz, which is 13 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.06 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.873 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 110 BPM

Note valueBeatsMillisecondsHertz
Whole note42179.80.46
Half note21089.90.92
Dotted quarter1.5817.41.22
Quarter note (one beat)15451.84
Quarter triplet0.667363.32.75
Dotted eighth0.75408.72.45
Eighth note0.5272.53.67
Eighth triplet0.333181.75.51
Dotted sixteenth0.375204.44.89
Sixteenth note0.25136.27.34
Sixteenth triplet0.16790.811.01
Thirty-second note0.12568.114.68

Half time 55.1 BPM · double time 220.2 BPM. Every row is one beat (545 ms) times the fraction in the second column.

Closest in key and tempo

  1. Most of Us Are SadEaglesC major110BPM
  2. Burn It DownLinkin ParkC major110BPM
  3. HeartlinesFlorence + the MachineC major110BPM
  4. UltraviolenceLana Del ReyC major110BPM
  5. LostmyheadThe 1975C major110BPM
  6. I’ll Be Your MirrorThe Velvet Underground & NicoC major110BPM
  7. BangarangSkrillex feat. SirahC major110BPM
  8. Dammitblink‐182C major110BPM
  9. White RoomCreamC major110BPM
  10. I Do, I Do, I Do, I Do, I DoABBAC major111BPM

Recordings in C major, ordered by how near their tempo is to 110 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 110 BPMC major at 110–119 BPMEagles

MusicBrainz collapses 55 recording ids into this one. Recording id bab67eb0-c46a-494c-9894-602595c303bf.