TempoPeek

Dr. Dre featuring Hittman, Kurupt & Ms. Roq · 2001

Let’s Get High

Let’s Get High is in A minor at 99.4 beats per minute.

4080120160200

Tempo

99 BPM · Andantemedian of 133 analyses · 99.3–99.4 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
74%share of analyses that agreed
Analyses
133people who ran the extractor
One beat
603.6milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.18dB the level wanders from its average
Loudness
0.961Essentia's 0–1 scale, not dB
Danceability
2.022Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

133 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 74% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 133 readings; 100% of them land within 2% of it, and they barely differ at all.

At 99.4 BPM one beat lasts 603.6 milliseconds, so a sixteenth note is 150.9 ms and a dotted eighth 452.7 ms — the delay times for this recording. Counted half as fast it is 49.7 BPM, counted twice as fast 198.8. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.18 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.961 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 99 BPM

Note valueBeatsMillisecondsHertz
Whole note42414.50.41
Half note21207.20.83
Dotted quarter1.5905.41.1
Quarter note (one beat)1603.61.66
Quarter triplet0.667402.42.49
Dotted eighth0.75452.72.21
Eighth note0.5301.83.31
Eighth triplet0.333201.24.97
Dotted sixteenth0.375226.44.42
Sixteenth note0.25150.96.63
Sixteenth triplet0.167100.69.94
Thirty-second note0.12575.513.25

Half time 49.7 BPM · double time 198.8 BPM. Every row is one beat (603.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. Rock SteadyBad CompanyA minor100BPM
  2. I’m No AngelDidoA minor100BPM
  3. Too HighStevie WonderA minor99BPM
  4. This Ain’t a Scene, It’s an Arms RaceFall Out BoyA minor100BPM
  5. House of DalmoreJo BlankenburgA minor100BPM
  6. Playing With GirlsAC/DCA minor100BPM
  7. Take Me AwayAvril LavigneA minor99BPM
  8. BailamosEnrique IglesiasA minor100BPM
  9. Stupid GirlsP!nkA minor100BPM
  10. Interstellar OverdrivePink FloydA minor100BPM

Recordings in A minor, ordered by how near their tempo is to 99 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 99 BPMA minor at 90–99 BPM

MusicBrainz collapses 1 recording id into this one. Recording id 2c7961a3-533f-41f3-a053-29d09584c869.