Depeche Mode · Violator
World in My Eyes
World in My Eyes is in E flat minor at 122.2 beats per minute.
Tempo
122 BPM · Allegromedian of 173 analyses · 122.2–122.3 across the middle eight tenths- Key
- E♭ minor6 flats · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 173people who ran the extractor
- One beat
- 491milliseconds, 60,000 ÷ BPM
- Tuning
- 437.5Hz · -10 cents from A 440
- Dynamics
- 4.34dB the level wanders from its average
- Loudness
- 0.941Essentia's 0–1 scale, not dB
- Danceability
- 1.387Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
173 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in E flat minor, a key signature of 6 flats. The tempo printed above is the median of the 173 readings; 99% of them land within 2% of it, and they barely differ at all.
At 122.2 BPM one beat lasts 491 milliseconds, so a sixteenth note is 122.7 ms and a dotted eighth 368.2 ms — the delay times for this recording. Counted half as fast it is 61.1 BPM, counted twice as fast 244.4. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 437.5 Hz, which is 10 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.34 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.941 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E flat minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E♭ minor
Each of these differs from E♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 122 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1964 | 0.51 |
| Half note | 2 | 982 | 1.02 |
| Dotted quarter | 1.5 | 736.5 | 1.36 |
| Quarter note (one beat) | 1 | 491 | 2.04 |
| Quarter triplet | 0.667 | 327.3 | 3.06 |
| Dotted eighth | 0.75 | 368.2 | 2.72 |
| Eighth note | 0.5 | 245.5 | 4.07 |
| Eighth triplet | 0.333 | 163.7 | 6.11 |
| Dotted sixteenth | 0.375 | 184.1 | 5.43 |
| Sixteenth note | 0.25 | 122.7 | 8.15 |
| Sixteenth triplet | 0.167 | 81.8 | 12.22 |
| Thirty-second note | 0.125 | 61.4 | 16.29 |
Half time 61.1 BPM · double time 244.4 BPM. Every row is one beat (491 ms) times the fraction in the second column.
Closest in key and tempo
- BulletproofLa RouxE♭ minor123BPM
- Break It UpForeignerE♭ minor123BPM
- Leave Me AloneMichael JacksonE♭ minor124BPM
- DerezzedDaft PunkE♭ minor120BPM
- Hang In Long EnoughPhil CollinsE♭ minor120BPM
- Reach Out I’ll Be ThereFour TopsE♭ minor120BPM
- The West SidePhil CollinsE♭ minor125BPM
- You Make MeAviciiE♭ minor125BPM
- Money HoneyLady GagaE♭ minor119BPM
- I Heard It Through the GrapevineMarvin GayeE♭ minor118BPM
Recordings in E flat minor, ordered by how near their tempo is to 122 BPM. A calculation, not a recommendation.
All songs in E flat minorAll songs at 122 BPME♭ minor at 120–129 BPMDepeche Mode
MusicBrainz collapses 91 recording ids into this one. Recording id 26f7bb0d-133d-4811-a8bf-0ff930c5a11a.