Danny Elfman · Tim Burton’s The Nightmare Before Christmas: Original Motion Picture Soundtrack

What’s This?

What’s This? is in F minor at 162.9 beats per minute.

4080120160200

Tempo

163 BPM · Vivacemedian of 128 analyses · 162.6–162.9 across the middle eight tenths
Key
F minor4 flats · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
128people who ran the extractor
One beat
368.3milliseconds, 60,000 ÷ BPM
Tuning
443.3Hz · +13 cents from A 440
Dynamics
6.36dB the level wanders from its average
Loudness
0.057Essentia's 0–1 scale, not dB
Danceability
0.977Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

128 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in F minor, a key signature of 4 flats. The tempo printed above is the median of the 128 readings; 100% of them land within 2% of it, and they barely differ at all.

At 162.9 BPM one beat lasts 368.3 milliseconds, so a sixteenth note is 92.1 ms and a dotted eighth 276.2 ms — the delay times for this recording. Counted half as fast it is 81.5 BPM, counted twice as fast 325.8. A score would mark that Vivace, by the ranges this site uses.

The analyses put the reference pitch of the recording at 443.3 Hz, which is 13 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.36 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.057 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F minor

Each of these differs from F minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 163 BPM

Note valueBeatsMillisecondsHertz
Whole note41473.30.68
Half note2736.61.36
Dotted quarter1.5552.51.81
Quarter note (one beat)1368.32.72
Quarter triplet0.667245.54.07
Dotted eighth0.75276.23.62
Eighth note0.5184.25.43
Eighth triplet0.333122.88.15
Dotted sixteenth0.375138.17.24
Sixteenth note0.2592.110.86
Sixteenth triplet0.16761.416.29
Thirty-second note0.1254621.72

Half time 81.5 BPM · double time 325.8 BPM. Every row is one beat (368.3 ms) times the fraction in the second column.

Closest in key and tempo

  1. Yes / Chinese Sleep ChantColdplayF minor162BPM
  2. Royal PursuitTim DaviesF minor162BPM
  3. Sing for the MomentEminemF minor164BPM
  4. HappyPharrell WilliamsF minor162BPM
  5. Mack the KnifeMichael BubléF minor164BPM
  6. Walk on WaterNeil DiamondF minor165BPM
  7. Edge of the WorldEmeryF minor165BPM
  8. BrianstormArctic MonkeysF minor165BPM
  9. Favorite SongChance the Rapper feat. Childish GambinoF minor156BPM
  10. Only an Act of True LoveTim DaviesF minor155BPM

Recordings in F minor, ordered by how near their tempo is to 163 BPM. A calculation, not a recommendation.

All songs in F minorAll songs at 163 BPMF minor at 160–169 BPM

MusicBrainz collapses 4 recording ids into this one. Recording id c0ed0962-53ad-48d0-a140-86b3c5692510.