Daft Punk feat. Pharrell Williams & Nile Rodgers · Random Access Memories
Get Lucky
Get Lucky is in A major at 116 beats per minute.
Tempo
116 BPM · Moderatomedian of 479 analyses · 116–116 across the middle eight tenths- Key
- A major3 sharps · the key most of the analyses agreed on
- Agreement
- 91%share of analyses that agreed
- Analyses
- 479people who ran the extractor
- One beat
- 517.2milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.81dB the level wanders from its average
- Loudness
- 0.926Essentia's 0–1 scale, not dB
- Danceability
- 1.63Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
479 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 91% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 479 readings; 99% of them land within 2% of it, and they barely differ at all.
At 116 BPM one beat lasts 517.2 milliseconds, so a sixteenth note is 129.3 ms and a dotted eighth 387.9 ms — the delay times for this recording. Counted half as fast it is 58 BPM, counted twice as fast 232. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.81 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.926 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in A major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with A major
Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 116 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2069 | 0.48 |
| Half note | 2 | 1034.5 | 0.97 |
| Dotted quarter | 1.5 | 775.9 | 1.29 |
| Quarter note (one beat) | 1 | 517.2 | 1.93 |
| Quarter triplet | 0.667 | 344.8 | 2.9 |
| Dotted eighth | 0.75 | 387.9 | 2.58 |
| Eighth note | 0.5 | 258.6 | 3.87 |
| Eighth triplet | 0.333 | 172.4 | 5.8 |
| Dotted sixteenth | 0.375 | 194 | 5.16 |
| Sixteenth note | 0.25 | 129.3 | 7.73 |
| Sixteenth triplet | 0.167 | 86.2 | 11.6 |
| Thirty-second note | 0.125 | 64.7 | 15.47 |
Half time 58 BPM · double time 232 BPM. Every row is one beat (517.2 ms) times the fraction in the second column.
Closest in key and tempo
- Quando, quando, quandoMichael Bublé duet with Nelly FurtadoA major116BPM
- RedundantGreen DayA major116BPM
- RearviewAndra DayA major116BPM
- GhostbustersRay Parker Jr.A major116BPM
- Twenty‐OneEaglesA major116BPM
- I Wish You PeaceEaglesA major116BPM
- Spanish HarlemAretha FranklinA major117BPM
- SwampTalking HeadsA major117BPM
- Don’t Bring Me DownElectric Light OrchestraA major115BPM
- LouiseBonnie RaittA major117BPM
Recordings in A major, ordered by how near their tempo is to 116 BPM. A calculation, not a recommendation.
All songs in A majorAll songs at 116 BPMA major at 110–119 BPM
MusicBrainz collapses 1 recording id into this one. Recording id 833f00e1-781f-4edd-90e4-e52712618862.