Clean Bandit feat. Stylo G · New Eyes

Come Over

Come Over is in A flat major at 99.9 beats per minute.

Tempo

100 BPM · Andantemedian of 151 analyses · 99.9–100 across the middle eight tenths

Key: A♭ major4 flats · the key most of the analyses agreed on
Agreement: 99%share of analyses that agreed
Analyses: 151people who ran the extractor
One beat: 600.6milliseconds, 60,000 ÷ BPM
Tuning: 434.2Hz · -23 cents from A 440
Dynamics: 2.96dB the level wanders from its average
Loudness: 0.928Essentia's 0–1 scale, not dB
Danceability: 1.242Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

151 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in A flat major, a key signature of 4 flats. The tempo printed above is the median of the 151 readings; 100% of them land within 2% of it, and they barely differ at all.

At 99.9 BPM one beat lasts 600.6 milliseconds, so a sixteenth note is 150.2 ms and a dotted eighth 450.5 ms — the delay times for this recording. Counted half as fast it is 50 BPM, counted twice as fast 199.8. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.96 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.928 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A♭ major

Each of these differs from A♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 100 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	2402.4	0.42
Half note	2	1201.2	0.83
Dotted quarter	1.5	900.9	1.11
Quarter note (one beat)	1	600.6	1.67
Quarter triplet	0.667	400.4	2.5
Dotted eighth	0.75	450.5	2.22
Eighth note	0.5	300.3	3.33
Eighth triplet	0.333	200.2	5
Dotted sixteenth	0.375	225.2	4.44
Sixteenth note	0.25	150.2	6.66
Sixteenth triplet	0.167	100.1	9.99
Thirty-second note	0.125	75.1	13.32

Half time 50 BPM · double time 199.8 BPM. Every row is one beat (600.6 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in A flat major, ordered by how near their tempo is to 100 BPM. A calculation, not a recommendation.

All songs in A flat major All songs at 100 BPM A♭ major at 90–99 BPM

MusicBrainz collapses 2 recording ids into this one. Recording id 850b267a-2458-4da5-91fa-01121ddf8ace.