Christina Aguilera · Back to Basics
Nasty Naughty Boy
Nasty Naughty Boy is in C minor at 75.2 beats per minute.
Tempo
75 BPM · Adagiomedian of 143 analyses · 75.2–75.2 across the middle eight tenths- Key
- C minor3 flats · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 143people who ran the extractor
- One beat
- 797.9milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 5.17dB the level wanders from its average
- Loudness
- 0.768Essentia's 0–1 scale, not dB
- Danceability
- 1Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
143 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in C minor, a key signature of 3 flats. The tempo printed above is the median of the 143 readings; 100% of them land within 2% of it, and they barely differ at all.
At 75.2 BPM one beat lasts 797.9 milliseconds, so a sixteenth note is 199.5 ms and a dotted eighth 598.4 ms — the delay times for this recording. Counted half as fast it is 37.6 BPM, counted twice as fast 150.4. A score would mark that Adagio, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.17 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.768 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C minor
Each of these differs from C minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 75 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 3191.5 | 0.31 |
| Half note | 2 | 1595.7 | 0.63 |
| Dotted quarter | 1.5 | 1196.8 | 0.84 |
| Quarter note (one beat) | 1 | 797.9 | 1.25 |
| Quarter triplet | 0.667 | 531.9 | 1.88 |
| Dotted eighth | 0.75 | 598.4 | 1.67 |
| Eighth note | 0.5 | 398.9 | 2.51 |
| Eighth triplet | 0.333 | 266 | 3.76 |
| Dotted sixteenth | 0.375 | 299.2 | 3.34 |
| Sixteenth note | 0.25 | 199.5 | 5.01 |
| Sixteenth triplet | 0.167 | 133 | 7.52 |
| Thirty-second note | 0.125 | 99.7 | 10.03 |
Half time 37.6 BPM · double time 150.4 BPM. Every row is one beat (797.9 ms) times the fraction in the second column.
Closest in key and tempo
- Forever Yellow SkiesThe CranberriesC minor73BPM
- Don’t Lose My NumberPhil CollinsC minor81BPM
- Long & LostFlorence + the MachineC minor83BPM
- Spend Some TimeEminem feat. Obie Trice, Stat Quo & 50 CentC minor84BPM
- SolarMiles Davis All StarsC minor84BPM
- Le BalletCéline DionC minor84BPM
- DimensionScannerC minor85BPM
- Ground on DownBen HarperC minor85BPM
- Bitches & SistersJay‐ZC minor87BPM
- You and Your FriendDire StraitsC minor87BPM
Recordings in C minor, ordered by how near their tempo is to 75 BPM. A calculation, not a recommendation.
All songs in C minorAll songs at 75 BPMChristina Aguilera
MusicBrainz collapses 1 recording id into this one. Recording id 57c7cb17-29df-43d7-bbf2-1cef782144d6.