TempoPeek

Céline Dion · Encore un soir

Trois heures vingt…

Trois heures vingt… is in F sharp major at 96.5 beats per minute.

4080120160200

Tempo

97 BPM · Andantemedian of 130 analyses · 95.6–96.5 across the middle eight tenths
Key
F♯ major6 sharps · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
130people who ran the extractor
One beat
621.8milliseconds, 60,000 ÷ BPM
Tuning
447.4Hz · +29 cents from A 440
Dynamics
5.12dB the level wanders from its average
Loudness
0.494Essentia's 0–1 scale, not dB
Danceability
1.024Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

130 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 130 readings; 100% of them land within 2% of it, and they barely differ at all.

At 96.5 BPM one beat lasts 621.8 milliseconds, so a sixteenth note is 155.4 ms and a dotted eighth 466.3 ms — the delay times for this recording. Counted half as fast it is 48.3 BPM, counted twice as fast 193. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 447.4 Hz, which is 29 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.12 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.494 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F♯ major

Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 97 BPM

Note valueBeatsMillisecondsHertz
Whole note424870.4
Half note21243.50.8
Dotted quarter1.5932.61.07
Quarter note (one beat)1621.81.61
Quarter triplet0.667414.52.41
Dotted eighth0.75466.32.14
Eighth note0.5310.93.22
Eighth triplet0.333207.34.83
Dotted sixteenth0.375233.24.29
Sixteenth note0.25155.46.43
Sixteenth triplet0.167103.69.65
Thirty-second note0.12577.712.87

Half time 48.3 BPM · double time 193 BPM. Every row is one beat (621.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. Please Don't GoKC and the Sunshine BandF♯ major97BPM
  2. Over, Under, Sideways, DownThe YardbirdsF♯ major98BPM
  3. Clap Your HandsBlack Eyed PeasF♯ major95BPM
  4. Mad LoveDidoF♯ major95BPM
  5. Let’s Go CrazyPrince and The RevolutionF♯ major98BPM
  6. HomelessPaul SimonF♯ major94BPM
  7. That’s the WayLed ZeppelinF♯ major99BPM
  8. A Different CornerGeorge MichaelF♯ major99BPM
  9. Best Thing I Never HadBeyoncéF♯ major99BPM
  10. AttentionCharlie PuthF♯ major100BPM

Recordings in F sharp major, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.

All songs in F sharp majorAll songs at 97 BPMF♯ major at 90–99 BPMCéline Dion

MusicBrainz collapses 1 recording id into this one. Recording id ca81109b-e527-4459-9684-ef673c3e64c2.