Céline Dion · D’eux

Regarde‐moi

Regarde‐moi is in A minor at 96.6 beats per minute.

4080120160200

Tempo

97 BPM · Andantemedian of 152 analyses · 96.6–96.6 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
152people who ran the extractor
One beat
621.1milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
7.18dB the level wanders from its average
Loudness
0.306Essentia's 0–1 scale, not dB
Danceability
1.193Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

152 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 152 readings; 100% of them land within 2% of it, and they barely differ at all.

At 96.6 BPM one beat lasts 621.1 milliseconds, so a sixteenth note is 155.3 ms and a dotted eighth 465.8 ms — the delay times for this recording. Counted half as fast it is 48.3 BPM, counted twice as fast 193.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 7.18 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.306 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 97 BPM

Note valueBeatsMillisecondsHertz
Whole note42484.50.4
Half note21242.20.81
Dotted quarter1.5931.71.07
Quarter note (one beat)1621.11.61
Quarter triplet0.667414.12.42
Dotted eighth0.75465.82.15
Eighth note0.5310.63.22
Eighth triplet0.3332074.83
Dotted sixteenth0.375232.94.29
Sixteenth note0.25155.36.44
Sixteenth triplet0.167103.59.66
Thirty-second note0.12577.612.88

Half time 48.3 BPM · double time 193.2 BPM. Every row is one beat (621.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. BatteryMetallicaA minor97BPM
  2. MIABad Bunny ft. DrakeA minor97BPM
  3. Scars to Your BeautifulAlessia CaraA minor97BPM
  4. Single Ladies (Put a Ring on It)BeyoncéA minor97BPM
  5. I Will SurviveCAKEA minor96BPM
  6. What Goes OnThe BeatlesA minor97BPM
  7. Silver BellsNeil DiamondA minor96BPM
  8. Outta Control50 CentA minor96BPM
  9. SorrowPink FloydA minor96BPM
  10. Marshall MathersEminemA minor96BPM

Recordings in A minor, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 97 BPMA minor at 90–99 BPMCéline Dion

MusicBrainz collapses 3 recording ids into this one. Recording id 00d3441b-988b-4bb1-a1c1-420251447762.