TempoPeek

Céline Dion · Dion chante Plamondon

L’amour existe encore

L’amour existe encore is in E major at 103.5 beats per minute.

4080120160200

Tempo

104 BPM · Andantemedian of 170 analyses · 103.5–104.1 across the middle eight tenths
Key
E major4 sharps · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
170people who ran the extractor
One beat
579.7milliseconds, 60,000 ÷ BPM
Tuning
441.8Hz · +7 cents from A 440
Dynamics
5.59dB the level wanders from its average
Loudness
0.078Essentia's 0–1 scale, not dB
Danceability
0.953Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

170 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 170 readings; 97% of them land within 2% of it, and they barely differ at all.

At 103.5 BPM one beat lasts 579.7 milliseconds, so a sixteenth note is 144.9 ms and a dotted eighth 434.8 ms — the delay times for this recording. Counted half as fast it is 51.8 BPM, counted twice as fast 207. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.59 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.078 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E major

Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 104 BPM

Note valueBeatsMillisecondsHertz
Whole note42318.80.43
Half note21159.40.86
Dotted quarter1.5869.61.15
Quarter note (one beat)1579.71.73
Quarter triplet0.667386.52.59
Dotted eighth0.75434.82.3
Eighth note0.5289.93.45
Eighth triplet0.333193.25.18
Dotted sixteenth0.375217.44.6
Sixteenth note0.25144.96.9
Sixteenth triplet0.16796.610.35
Thirty-second note0.12572.513.8

Half time 51.8 BPM · double time 207 BPM. Every row is one beat (579.7 ms) times the fraction in the second column.

Closest in key and tempo

  1. Breezin’The B‐52’sE major103BPM
  2. You’re in My Heart (The Final Acclaim)Rod StewartE major104BPM
  3. Somethin’ StupidNancy Sinatra & Frank SinatraE major104BPM
  4. GirlfriendMichael JacksonE major103BPM
  5. CleanTaylor SwiftE major104BPM
  6. IfPink FloydE major103BPM
  7. Mer GirlMadonnaE major105BPM
  8. Among the LivingAnthraxE major103BPM
  9. GraceLewis CapaldiE major105BPM
  10. Expo ’86Death Cab for CutieE major105BPM

Recordings in E major, ordered by how near their tempo is to 104 BPM. A calculation, not a recommendation.

All songs in E majorAll songs at 104 BPME major at 100–109 BPMCéline Dion

MusicBrainz collapses 9 recording ids into this one. Recording id 3eb24fe3-10d4-4a1c-90b5-c75eee1289eb.