TempoPeek

Céline Dion · One Heart

I Drove All Night

I Drove All Night is in B major at 135 beats per minute.

4080120160200

Tempo

135 BPM · Allegromedian of 314 analyses · 135–136.9 across the middle eight tenths
Key
B major5 sharps · the key most of the analyses agreed on
Agreement
80%share of analyses that agreed
Analyses
314people who ran the extractor
One beat
444.4milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.4dB the level wanders from its average
Loudness
0.913Essentia's 0–1 scale, not dB
Danceability
1.229Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

314 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 80% — put it in B major, a key signature of 5 sharps. The tempo printed above is the median of the 314 readings; 97% of them land within 2% of it, and the middle eight tenths of them run from 135 to 136.9 BPM.

At 135 BPM one beat lasts 444.4 milliseconds, so a sixteenth note is 111.1 ms and a dotted eighth 333.3 ms — the delay times for this recording. Counted half as fast it is 67.5 BPM, counted twice as fast 270. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.913 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with B major

Each of these differs from B major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 135 BPM

Note valueBeatsMillisecondsHertz
Whole note41777.80.56
Half note2888.91.13
Dotted quarter1.5666.71.5
Quarter note (one beat)1444.42.25
Quarter triplet0.667296.33.38
Dotted eighth0.75333.33
Eighth note0.5222.24.5
Eighth triplet0.333148.16.75
Dotted sixteenth0.375166.76
Sixteenth note0.25111.19
Sixteenth triplet0.16774.113.5
Thirty-second note0.12555.618

Half time 67.5 BPM · double time 270 BPM. Every row is one beat (444.4 ms) times the fraction in the second column.

The same title by somebody else

  1. I Drove All NightCyndi LauperA♭ major131BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. You Are the Sunshine of My LifeStevie WonderB major135BPM
  2. On the MendFoo FightersB major135BPM
  3. All at OnceThe FrayB major134BPM
  4. Come Fly With MeMichael BubléB major134BPM
  5. NutshellAlice in ChainsB major137BPM
  6. New Year’s DayU2B major133BPM
  7. AngeleyesABBAB major133BPM
  8. One of These DaysPink FloydB major137BPM
  9. ExitludeThe KillersB major137BPM
  10. FlumeBon IverB major133BPM

Recordings in B major, ordered by how near their tempo is to 135 BPM. A calculation, not a recommendation.

All songs in B majorAll songs at 135 BPMB major at 130–139 BPMCéline Dion

MusicBrainz collapses 12 recording ids into this one. Recording id 09f99b0f-eb93-4498-b4e1-7e4802933f41.