TempoPeek

Bob Dylan & The Band · The Basement Tapes

Tiny Montgomery

Tiny Montgomery is in A major at 131.7 beats per minute.

4080120160200

Tempo

132 BPM · Allegromedian of 168 analyses · 111.5–132.2 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
168people who ran the extractor
One beat
455.6milliseconds, 60,000 ÷ BPM
Tuning
441.8Hz · +7 cents from A 440
Dynamics
3.44dB the level wanders from its average
Loudness
0.904Essentia's 0–1 scale, not dB
Danceability
1.119Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

168 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 168 readings; 54% of them land within 2% of it, and the middle eight tenths of them run from 111.5 to 132.2 BPM.

At 131.7 BPM one beat lasts 455.6 milliseconds, so a sixteenth note is 113.9 ms and a dotted eighth 341.7 ms — the delay times for this recording. Counted half as fast it is 65.9 BPM, counted twice as fast 263.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.44 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.904 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 132 BPM

Note valueBeatsMillisecondsHertz
Whole note41822.30.55
Half note2911.21.1
Dotted quarter1.5683.41.46
Quarter note (one beat)1455.62.19
Quarter triplet0.667303.73.29
Dotted eighth0.75341.72.93
Eighth note0.5227.84.39
Eighth triplet0.333151.96.59
Dotted sixteenth0.375170.85.85
Sixteenth note0.25113.98.78
Sixteenth triplet0.16775.913.17
Thirty-second note0.12556.917.56

Half time 65.9 BPM · double time 263.4 BPM. Every row is one beat (455.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. Maxwell’s Silver HammerThe BeatlesA major132BPM
  2. Piggy (Nothing Can Stop Me Now)Nine Inch NailsA major132BPM
  3. F.I.N.E.AerosmithA major132BPM
  4. Let’s GoThe CarsA major131BPM
  5. The ForgottenGreen DayA major132BPM
  6. This SongMeat PuppetsA major132BPM
  7. Criminal WorldDavid BowieA major131BPM
  8. Change Your LifeIggy Azalea feat. T.I.A major132BPM
  9. Greatest Love of AllWhitney HoustonA major131BPM
  10. Life in Technicolor iiColdplayA major131BPM

Recordings in A major, ordered by how near their tempo is to 132 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 132 BPMA major at 130–139 BPMBob Dylan & The Band

MusicBrainz collapses 8 recording ids into this one. Recording id d15c9a8b-6b6a-476d-a3df-10fc485d7a67.