Black Sabbath · Paranoid

War Pigs / Luke’s Wall

War Pigs / Luke’s Wall is in A minor at 90.3 beats per minute.

4080120160200

Tempo

90 BPM · Andantemedian of 341 analyses · 90.1–90.5 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
88%share of analyses that agreed
Analyses
341people who ran the extractor
One beat
664.5milliseconds, 60,000 ÷ BPM
Tuning
447.2Hz · +28 cents from A 440
Dynamics
4.13dB the level wanders from its average
Loudness
0.645Essentia's 0–1 scale, not dB
Danceability
1.075Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

341 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 88% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 341 readings; 98% of them land within 2% of it, and they barely differ at all.

At 90.3 BPM one beat lasts 664.5 milliseconds, so a sixteenth note is 166.1 ms and a dotted eighth 498.3 ms — the delay times for this recording. Counted half as fast it is 45.2 BPM, counted twice as fast 180.6. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 447.2 Hz, which is 28 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.13 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.645 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 90 BPM

Note valueBeatsMillisecondsHertz
Whole note42657.80.38
Half note21328.90.75
Dotted quarter1.5996.71
Quarter note (one beat)1664.51.51
Quarter triplet0.6674432.26
Dotted eighth0.75498.32.01
Eighth note0.5332.23.01
Eighth triplet0.333221.54.51
Dotted sixteenth0.375249.24.01
Sixteenth note0.25166.16.02
Sixteenth triplet0.167110.79.03
Thirty-second note0.12583.112.04

Half time 45.2 BPM · double time 180.6 BPM. Every row is one beat (664.5 ms) times the fraction in the second column.

Closest in key and tempo

  1. Fight Fire With FireMetallicaA minor90BPM
  2. SchoolSupertrampA minor90BPM
  3. Good Life2Pac featuring Big Syke & E.D.I of the OUTLAWZA minor90BPM
  4. Je sais pasCéline DionA minor90BPM
  5. RinzlerDaft PunkA minor90BPM
  6. CloserNine Inch NailsA minor90BPM
  7. Heathenstwenty one pilotsA minor90BPM
  8. One for the RoadArctic MonkeysA minor91BPM
  9. In My FeelingsLana Del ReyA minor90BPM
  10. No OneAlicia KeysA minor90BPM

Recordings in A minor, ordered by how near their tempo is to 90 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 90 BPMA minor at 90–99 BPMBlack Sabbath

MusicBrainz collapses 4 recording ids into this one. Recording id 6db17e6e-94d8-4794-9364-c761ad667fb1.