Black Sabbath · Black Sabbath
Black Sabbath
Black Sabbath is in C minor at 132.8 beats per minute.
Tempo
133 BPM · Allegromedian of 338 analyses · 132.5–135.8 across the middle eight tenths- Key
- C minor3 flats · the key most of the analyses agreed on
- Agreement
- 79%share of analyses that agreed
- Analyses
- 338people who ran the extractor
- One beat
- 451.8milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.82dB the level wanders from its average
- Loudness
- 0.791Essentia's 0–1 scale, not dB
- Danceability
- 0.905Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
338 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 79% — put it in C minor, a key signature of 3 flats. The tempo printed above is the median of the 338 readings; 81% of them land within 2% of it, and the middle eight tenths of them run from 132.5 to 135.8 BPM.
At 132.8 BPM one beat lasts 451.8 milliseconds, so a sixteenth note is 113 ms and a dotted eighth 338.9 ms — the delay times for this recording. Counted half as fast it is 66.4 BPM, counted twice as fast 265.6. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.82 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.791 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C minor
Each of these differs from C minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 133 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1807.2 | 0.55 |
| Half note | 2 | 903.6 | 1.11 |
| Dotted quarter | 1.5 | 677.7 | 1.48 |
| Quarter note (one beat) | 1 | 451.8 | 2.21 |
| Quarter triplet | 0.667 | 301.2 | 3.32 |
| Dotted eighth | 0.75 | 338.9 | 2.95 |
| Eighth note | 0.5 | 225.9 | 4.43 |
| Eighth triplet | 0.333 | 150.6 | 6.64 |
| Dotted sixteenth | 0.375 | 169.4 | 5.9 |
| Sixteenth note | 0.25 | 113 | 8.85 |
| Sixteenth triplet | 0.167 | 75.3 | 13.28 |
| Thirty-second note | 0.125 | 56.5 | 17.71 |
Half time 66.4 BPM · double time 265.6 BPM. Every row is one beat (451.8 ms) times the fraction in the second column.
Closest in key and tempo
- Fill Me InCraig DavidC minor133BPM
- Love ShackThe B‐52sC minor134BPM
- Beer Drinkers & Hell RaisersZZ TopC minor135BPM
- Don’t Give Up (original radio edit)Chicane feat. Bryan AdamsC minor131BPM
- ScheißeLady GagaC minor131BPM
- Beautiful LifeAce of BaseC minor135BPM
- Hell After ThisDidoC minor130BPM
- Sexy and I Know ItLMFAOC minor130BPM
- A Lack of ColorDeath Cab for CutieC minor136BPM
- Yeat’s GraveThe CranberriesC minor136BPM
Recordings in C minor, ordered by how near their tempo is to 133 BPM. A calculation, not a recommendation.
All songs in C minorAll songs at 133 BPMC minor at 130–139 BPMBlack Sabbath
MusicBrainz collapses 116 recording ids into this one. Recording id 533d5cbb-3ec6-4226-994b-844bc2173ac3.