TempoPeek

Bee Gees · 2 Years On

Lonely Days

Lonely Days is in F major at 95.6 beats per minute.

4080120160200

Tempo

96 BPM · Andantemedian of 259 analyses · 94.1–146.6 across the middle eight tenths
Key
F major1 flat · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
259people who ran the extractor
One beat
627.6milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
6.68dB the level wanders from its average
Loudness
0.223Essentia's 0–1 scale, not dB
Danceability
1.035Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

259 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 259 readings; 52% of them land within 2% of it, and the middle eight tenths of them run from 94.1 to 146.6 BPM.

At 95.6 BPM one beat lasts 627.6 milliseconds, so a sixteenth note is 156.9 ms and a dotted eighth 470.7 ms — the delay times for this recording. Counted half as fast it is 47.8 BPM, counted twice as fast 191.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.68 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.223 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 96 BPM

Note valueBeatsMillisecondsHertz
Whole note42510.50.4
Half note21255.20.8
Dotted quarter1.5941.41.06
Quarter note (one beat)1627.61.59
Quarter triplet0.667418.42.39
Dotted eighth0.75470.72.12
Eighth note0.5313.83.19
Eighth triplet0.333209.24.78
Dotted sixteenth0.375235.44.25
Sixteenth note0.25156.96.37
Sixteenth triplet0.167104.69.56
Thirty-second note0.12578.512.75

Half time 47.8 BPM · double time 191.2 BPM. Every row is one beat (627.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. South Bound SaurezLed ZeppelinF major96BPM
  2. Believe Me NatalieThe KillersF major96BPM
  3. Look What You Done for MeAl GreenF major96BPM
  4. Around the WorldRed Hot Chili PeppersF major96BPM
  5. That’s Just the Way It IsPhil CollinsF major96BPM
  6. My ManEaglesF major96BPM
  7. Is This ItThe StrokesF major96BPM
  8. We Are the ChampionsQueenF major95BPM
  9. Dark Is the Night for Alla‐haF major95BPM
  10. Love Over GoldDire StraitsF major96BPM

Recordings in F major, ordered by how near their tempo is to 96 BPM. A calculation, not a recommendation.

All songs in F majorAll songs at 96 BPMF major at 90–99 BPMBee Gees

MusicBrainz collapses 36 recording ids into this one. Recording id 91ffb604-819d-488e-be48-4193f3de1c87.