Bastille · Bad Blood

Weight of Living, Pt. II

Weight of Living, Pt. II is in C major at 129.7 beats per minute.

4080120160200

Tempo

130 BPM · Allegromedian of 148 analyses · 129.5–129.7 across the middle eight tenths
Key
C majorno sharps and no flats · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
148people who ran the extractor
One beat
462.6milliseconds, 60,000 ÷ BPM
Tuning
440.3Hz · +1 cents from A 440
Dynamics
2.72dB the level wanders from its average
Loudness
0.907Essentia's 0–1 scale, not dB
Danceability
1.053Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

148 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 148 readings; 100% of them land within 2% of it, and they barely differ at all.

At 129.7 BPM one beat lasts 462.6 milliseconds, so a sixteenth note is 115.7 ms and a dotted eighth 347 ms — the delay times for this recording. Counted half as fast it is 64.9 BPM, counted twice as fast 259.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440.3 Hz, which is 1 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.72 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.907 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 130 BPM

Note valueBeatsMillisecondsHertz
Whole note41850.40.54
Half note2925.21.08
Dotted quarter1.5693.91.44
Quarter note (one beat)1462.62.16
Quarter triplet0.667308.43.24
Dotted eighth0.753472.88
Eighth note0.5231.34.32
Eighth triplet0.333154.26.49
Dotted sixteenth0.375173.55.76
Sixteenth note0.25115.78.65
Sixteenth triplet0.16777.112.97
Thirty-second note0.12557.817.29

Half time 64.9 BPM · double time 259.4 BPM. Every row is one beat (462.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. JumpVan HalenC major130BPM
  2. Anywhere for YouBackstreet BoysC major130BPM
  3. Million ReasonsLady GagaC major130BPM
  4. Never Be the SameCamila CabelloC major130BPM
  5. New DawnCéline DionC major130BPM
  6. Head.Cars.BendingThe 1975C major130BPM
  7. MercyDuffyC major130BPM
  8. ListenDavid Guetta feat. John LegendC major130BPM
  9. Do You Realize??The Flaming LipsC major130BPM
  10. LuckyJason Mraz feat. Colbie CaillatC major130BPM

Recordings in C major, ordered by how near their tempo is to 130 BPM. A calculation, not a recommendation.

All songs in C majorAll songs at 130 BPMC major at 120–129 BPMBastille

MusicBrainz collapses 1 recording id into this one. Recording id 6aa4c7a4-940e-47cf-8ed3-81e8c58f039a.