Bad Company · Desolation Angels

Rock ’n’ Roll Fantasy

Rock ’n’ Roll Fantasy is in A major at 112.1 beats per minute.

4080120160200

Tempo

112 BPM · Moderatomedian of 229 analyses · 112–113.2 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
58%share of analyses that agreed
Analyses
229people who ran the extractor
One beat
535.2milliseconds, 60,000 ÷ BPM
Tuning
438.7Hz · -5 cents from A 440
Dynamics
3.25dB the level wanders from its average
Loudness
0.912Essentia's 0–1 scale, not dB
Danceability
1.295Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

229 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 58% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 229 readings; 93% of them land within 2% of it, and the middle eight tenths of them run from 112 to 113.2 BPM.

At 112.1 BPM one beat lasts 535.2 milliseconds, so a sixteenth note is 133.8 ms and a dotted eighth 401.4 ms — the delay times for this recording. Counted half as fast it is 56.1 BPM, counted twice as fast 224.2. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 438.7 Hz, which is 5 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.25 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.912 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 112 BPM

Note valueBeatsMillisecondsHertz
Whole note42140.90.47
Half note21070.50.93
Dotted quarter1.5802.91.25
Quarter note (one beat)1535.21.87
Quarter triplet0.667356.82.8
Dotted eighth0.75401.42.49
Eighth note0.5267.63.74
Eighth triplet0.333178.45.61
Dotted sixteenth0.375200.74.98
Sixteenth note0.25133.87.47
Sixteenth triplet0.16789.211.21
Thirty-second note0.12566.914.95

Half time 56.1 BPM · double time 224.2 BPM. Every row is one beat (535.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Rusty CageJohnny CashA major112BPM
  2. All NightChance the Rapper feat. Knox FortuneA major112BPM
  3. MachineheadBushA major113BPM
  4. LovefoolThe CardigansA major112BPM
  5. Don’t You (Forget About Me)Simple MindsA major111BPM
  6. Sick AgainLed ZeppelinA major113BPM
  7. Into WhiteCat StevensA major111BPM
  8. FernandoABBAA major111BPM
  9. Rapper’s Delight (long version)The Sugarhill GangA major111BPM
  10. Can’t Stop This Thing We StartedBryan AdamsA major113BPM

Recordings in A major, ordered by how near their tempo is to 112 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 112 BPMA major at 110–119 BPMBad Company

MusicBrainz collapses 22 recording ids into this one. Recording id 35307836-7e63-430d-b4f7-d8cdf28bb923.