Andrea Bocelli feat. Mary J. Blige · My Christmas

What Child Is This

What Child Is This is in E flat major at 128.2 beats per minute.

Tempo

128 BPM · Allegromedian of 154 analyses · 128.2–128.2 across the middle eight tenths

Key: E♭ major3 flats · the key most of the analyses agreed on
Agreement: 100%share of analyses that agreed
Analyses: 154people who ran the extractor
One beat: 468milliseconds, 60,000 ÷ BPM
Tuning: 439.7Hz · -1 cents from A 440
Dynamics: 6.14dB the level wanders from its average
Loudness: 0.658Essentia's 0–1 scale, not dB
Danceability: 0.935Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

154 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 154 readings; 100% of them land within 2% of it, and they barely differ at all.

At 128.2 BPM one beat lasts 468 milliseconds, so a sixteenth note is 117 ms and a dotted eighth 351 ms — the delay times for this recording. Counted half as fast it is 64.1 BPM, counted twice as fast 256.4. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.7 Hz, which is 1 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.14 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.658 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E♭ major

Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 128 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	1872.1	0.53
Half note	2	936	1.07
Dotted quarter	1.5	702	1.42
Quarter note (one beat)	1	468	2.14
Quarter triplet	0.667	312	3.21
Dotted eighth	0.75	351	2.85
Eighth note	0.5	234	4.27
Eighth triplet	0.333	156	6.41
Dotted sixteenth	0.375	175.5	5.7
Sixteenth note	0.25	117	8.55
Sixteenth triplet	0.167	78	12.82
Thirty-second note	0.125	58.5	17.09

Half time 64.1 BPM · double time 256.4 BPM. Every row is one beat (468 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in E flat major, ordered by how near their tempo is to 128 BPM. A calculation, not a recommendation.

All songs in E flat major All songs at 128 BPM E♭ major at 120–129 BPM

MusicBrainz collapses 1 recording id into this one. Recording id d445203e-571b-4e14-83be-98de26efb5ce.