Alicia Keys · The Element of Freedom

Un‐Thinkable (I’m Ready)

Un‐Thinkable (I’m Ready) is in G major at 86 beats per minute.

4080120160200

Tempo

86 BPM · Andantemedian of 142 analyses · 85.9–86 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
142people who ran the extractor
One beat
697.7milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.39dB the level wanders from its average
Loudness
0.928Essentia's 0–1 scale, not dB
Danceability
1.14Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

142 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 142 readings; 99% of them land within 2% of it, and they barely differ at all.

At 86 BPM one beat lasts 697.7 milliseconds, so a sixteenth note is 174.4 ms and a dotted eighth 523.3 ms — the delay times for this recording. Counted half as fast it is 43 BPM, counted twice as fast 172. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.39 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.928 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 86 BPM

Note valueBeatsMillisecondsHertz
Whole note42790.70.36
Half note21395.30.72
Dotted quarter1.51046.50.96
Quarter note (one beat)1697.71.43
Quarter triplet0.667465.12.15
Dotted eighth0.75523.31.91
Eighth note0.5348.82.87
Eighth triplet0.333232.64.3
Dotted sixteenth0.375261.63.82
Sixteenth note0.25174.45.73
Sixteenth triplet0.167116.38.6
Thirty-second note0.12587.211.47

Half time 43 BPM · double time 172 BPM. Every row is one beat (697.7 ms) times the fraction in the second column.

Closest in key and tempo

  1. We Are Never Ever Getting Back TogetherTaylor SwiftG major86BPM
  2. Holding Back the YearsSimply RedG major86BPM
  3. If You Asked Me ToCéline DionG major86BPM
  4. Walking AwayCraig DavidG major86BPM
  5. WomenDef LeppardG major86BPM
  6. Crazy for YouAdeleG major86BPM
  7. Heart of GoldNeil YoungG major85BPM
  8. Lost!ColdplayG major87BPM
  9. Bad BloodTaylor SwiftG major85BPM
  10. Versace on the FloorBruno MarsG major87BPM

Recordings in G major, ordered by how near their tempo is to 86 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 86 BPMG major at 80–89 BPMAlicia Keys

MusicBrainz collapses 7 recording ids into this one. Recording id 302ea07a-a7a0-4c03-80ae-b53186392216.