Alicia Keys · The Diary of Alicia Keys
If I Was Your Woman / Walk on By
If I Was Your Woman / Walk on By is in B flat minor at 83 beats per minute.
Tempo
83 BPM · Andantemedian of 127 analyses · 83–83 across the middle eight tenths- Key
- B♭ minor5 flats · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 127people who ran the extractor
- One beat
- 722.9milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.53dB the level wanders from its average
- Loudness
- 0.86Essentia's 0–1 scale, not dB
- Danceability
- 1.433Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
127 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in B flat minor, a key signature of 5 flats. The tempo printed above is the median of the 127 readings; 100% of them land within 2% of it, and they barely differ at all.
At 83 BPM one beat lasts 722.9 milliseconds, so a sixteenth note is 180.7 ms and a dotted eighth 542.2 ms — the delay times for this recording. Counted half as fast it is 41.5 BPM, counted twice as fast 166. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.53 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.86 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ minor
Each of these differs from B♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 83 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2891.6 | 0.35 |
| Half note | 2 | 1445.8 | 0.69 |
| Dotted quarter | 1.5 | 1084.3 | 0.92 |
| Quarter note (one beat) | 1 | 722.9 | 1.38 |
| Quarter triplet | 0.667 | 481.9 | 2.08 |
| Dotted eighth | 0.75 | 542.2 | 1.84 |
| Eighth note | 0.5 | 361.4 | 2.77 |
| Eighth triplet | 0.333 | 241 | 4.15 |
| Dotted sixteenth | 0.375 | 271.1 | 3.69 |
| Sixteenth note | 0.25 | 180.7 | 5.53 |
| Sixteenth triplet | 0.167 | 120.5 | 8.3 |
| Thirty-second note | 0.125 | 90.4 | 11.07 |
Half time 41.5 BPM · double time 166 BPM. Every row is one beat (722.9 ms) times the fraction in the second column.
Closest in key and tempo
- Me, Myself and IBeyoncéB♭ minor84BPM
- The WayAriana Grande feat. Mac MillerB♭ minor82BPM
- Double BassGorillazB♭ minor82BPM
- U Don’t Know (remix)Jay‐Z feat. M.O.P.B♭ minor81BPM
- Guilty Filthy SoulAWOLNATIONB♭ minor86BPM
- Side B (Dope Song)Danny BrownB♭ minor80BPM
- Piggy Bank50 CentB♭ minor87BPM
- Gimme ThatChris BrownB♭ minor87BPM
- Part‐Time LoverStevie WonderB♭ minor87BPM
- Blue ChristmasAndrea Bocelli feat. Reba McEntireB♭ minor78BPM
Recordings in B flat minor, ordered by how near their tempo is to 83 BPM. A calculation, not a recommendation.
All songs in B flat minorAll songs at 83 BPMB♭ minor at 80–89 BPMAlicia Keys
MusicBrainz collapses 4 recording ids into this one. Recording id b3202efe-1f20-417b-b866-3497284b2b5f.