Adele · 19
Best for Last
Best for Last is in G major at 99.8 beats per minute.
Tempo
100 BPM · Andantemedian of 299 analyses · 99.5–154.9 across the middle eight tenths- Key
- G major1 sharp · the key most of the analyses agreed on
- Agreement
- 97%share of analyses that agreed
- Analyses
- 299people who ran the extractor
- One beat
- 601.2milliseconds, 60,000 ÷ BPM
- Tuning
- 438.7Hz · -5 cents from A 440
- Dynamics
- 3.81dB the level wanders from its average
- Loudness
- 0.942Essentia's 0–1 scale, not dB
- Danceability
- 1.371Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
299 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 299 readings; 81% of them land within 2% of it, and the middle eight tenths of them run from 99.5 to 154.9 BPM.
At 99.8 BPM one beat lasts 601.2 milliseconds, so a sixteenth note is 150.3 ms and a dotted eighth 450.9 ms — the delay times for this recording. Counted half as fast it is 49.9 BPM, counted twice as fast 199.6. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 438.7 Hz, which is 5 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.81 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.942 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G major
Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 100 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2404.8 | 0.42 |
| Half note | 2 | 1202.4 | 0.83 |
| Dotted quarter | 1.5 | 901.8 | 1.11 |
| Quarter note (one beat) | 1 | 601.2 | 1.66 |
| Quarter triplet | 0.667 | 400.8 | 2.5 |
| Dotted eighth | 0.75 | 450.9 | 2.22 |
| Eighth note | 0.5 | 300.6 | 3.33 |
| Eighth triplet | 0.333 | 200.4 | 4.99 |
| Dotted sixteenth | 0.375 | 225.5 | 4.44 |
| Sixteenth note | 0.25 | 150.3 | 6.65 |
| Sixteenth triplet | 0.167 | 100.2 | 9.98 |
| Thirty-second note | 0.125 | 75.2 | 13.31 |
Half time 49.9 BPM · double time 199.6 BPM. Every row is one beat (601.2 ms) times the fraction in the second column.
Closest in key and tempo
- HaïtiArcade FireG major100BPM
- On the Turning AwayPink FloydG major100BPM
- Hands CleanAlanis MorissetteG major100BPM
- JungleDrakeG major100BPM
- Just Like Tom Thumb’s BluesBob DylanG major100BPM
- It’s All Over NowThe Rolling StonesG major99BPM
- Mary JaneAlanis MorissetteG major99BPM
- Do You Really Want to Hurt MeCulture ClubG major100BPM
- AdiemusAdiemusG major100BPM
- Over the Hills and Far AwayLed ZeppelinG major99BPM
Recordings in G major, ordered by how near their tempo is to 100 BPM. A calculation, not a recommendation.
All songs in G majorAll songs at 100 BPMG major at 90–99 BPMAdele
MusicBrainz collapses 1 recording id into this one. Recording id 7502dd98-a7e6-41d0-90d1-16aa885f8fdb.