AC/DC · Stiff Upper Lip

Meltdown

Meltdown is in A minor at 111.9 beats per minute.

4080120160200

Tempo

112 BPM · Moderatomedian of 184 analyses · 99.5–112 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
78%share of analyses that agreed
Analyses
184people who ran the extractor
One beat
536.2milliseconds, 60,000 ÷ BPM
Tuning
441.3Hz · +5 cents from A 440
Dynamics
3.12dB the level wanders from its average
Loudness
0.922Essentia's 0–1 scale, not dB
Danceability
1.28Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

184 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 78% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 184 readings; 78% of them land within 2% of it, and the middle eight tenths of them run from 99.5 to 112 BPM.

At 111.9 BPM one beat lasts 536.2 milliseconds, so a sixteenth note is 134 ms and a dotted eighth 402.1 ms — the delay times for this recording. Counted half as fast it is 56 BPM, counted twice as fast 223.8. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.3 Hz, which is 5 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.12 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.922 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 112 BPM

Note valueBeatsMillisecondsHertz
Whole note42144.80.47
Half note21072.40.93
Dotted quarter1.5804.31.24
Quarter note (one beat)1536.21.87
Quarter triplet0.667357.52.8
Dotted eighth0.75402.12.49
Eighth note0.5268.13.73
Eighth triplet0.333178.75.6
Dotted sixteenth0.375201.14.97
Sixteenth note0.251347.46
Sixteenth triplet0.16789.411.19
Thirty-second note0.1256714.92

Half time 56 BPM · double time 223.8 BPM. Every row is one beat (536.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Like ThatThe Black Eyed PeasA minor112BPM
  2. Black MagicLittle MixA minor112BPM
  3. Hot Hot Hot!!!The CureA minor112BPM
  4. Runnin’ BlueThe DoorsA minor112BPM
  5. YouRadioheadA minor112BPM
  6. Pain Is So Close to PleasureQueenA minor112BPM
  7. HeadphonesBjörkA minor112BPM
  8. KissPrince and The RevolutionA minor111BPM
  9. Heaven, Hell or HoustonZZ TopA minor111BPM
  10. Life in a GlasshouseRadioheadA minor111BPM

Recordings in A minor, ordered by how near their tempo is to 112 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 112 BPMA minor at 110–119 BPMAC/DC

MusicBrainz collapses 7 recording ids into this one. Recording id e8ba7f51-1e5a-4b81-b9fd-9551e7ac14ec.