AC/DC · T.N.T.
Can I Sit Next to You Girl
Can I Sit Next to You Girl is in G minor at 135 beats per minute.
Tempo
135 BPM · Allegromedian of 254 analyses · 134.5–135.1 across the middle eight tenths- Key
- G minor2 flats · the key most of the analyses agreed on
- Agreement
- 54%share of analyses that agreed
- Analyses
- 254people who ran the extractor
- One beat
- 444.4milliseconds, 60,000 ÷ BPM
- Tuning
- 433.4Hz · -26 cents from A 440
- Dynamics
- 4.17dB the level wanders from its average
- Loudness
- 0.909Essentia's 0–1 scale, not dB
- Danceability
- 1.204Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
254 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 54% — put it in G minor, a key signature of 2 flats. The tempo printed above is the median of the 254 readings; 99% of them land within 2% of it, and they barely differ at all.
At 135 BPM one beat lasts 444.4 milliseconds, so a sixteenth note is 111.1 ms and a dotted eighth 333.3 ms — the delay times for this recording. Counted half as fast it is 67.5 BPM, counted twice as fast 270. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 433.4 Hz, which is 26 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.17 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.909 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G minor
Each of these differs from G minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 135 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1777.8 | 0.56 |
| Half note | 2 | 888.9 | 1.13 |
| Dotted quarter | 1.5 | 666.7 | 1.5 |
| Quarter note (one beat) | 1 | 444.4 | 2.25 |
| Quarter triplet | 0.667 | 296.3 | 3.38 |
| Dotted eighth | 0.75 | 333.3 | 3 |
| Eighth note | 0.5 | 222.2 | 4.5 |
| Eighth triplet | 0.333 | 148.1 | 6.75 |
| Dotted sixteenth | 0.375 | 166.7 | 6 |
| Sixteenth note | 0.25 | 111.1 | 9 |
| Sixteenth triplet | 0.167 | 74.1 | 13.5 |
| Thirty-second note | 0.125 | 55.6 | 18 |
Half time 67.5 BPM · double time 270 BPM. Every row is one beat (444.4 ms) times the fraction in the second column.
Closest in key and tempo
- Shine On You Crazy Diamond, Parts I–VPink FloydG minor136BPM
- Forgot About DreDr. Dre featuring EminemG minor134BPM
- Jack the Stripper / Fairies Wear BootsBlack SabbathG minor136BPM
- Tryin’EaglesG minor134BPM
- SnakecharmerRage Against the MachineG minor137BPM
- Summer Night CityABBAG minor130BPM
- Love Don’t Live Here AnymoreMadonnaG minor140BPM
- Thieves in the TemplePrinceG minor130BPM
- Another DayAirG minor130BPM
- Think for YourselfThe BeatlesG minor130BPM
Recordings in G minor, ordered by how near their tempo is to 135 BPM. A calculation, not a recommendation.
All songs in G minorAll songs at 135 BPMG minor at 130–139 BPMAC/DC
MusicBrainz collapses 26 recording ids into this one. Recording id e2131d5e-5efd-4734-bb78-047a72e2d2b7.