a‐ha · Hunting High and Low

Train of Thought

Train of Thought is in A major at 139.5 beats per minute.

4080120160200

Tempo

140 BPM · Allegromedian of 233 analyses · 123.1–139.7 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
91%share of analyses that agreed
Analyses
233people who ran the extractor
One beat
430.1milliseconds, 60,000 ÷ BPM
Tuning
443.3Hz · +13 cents from A 440
Dynamics
3.7dB the level wanders from its average
Loudness
0.917Essentia's 0–1 scale, not dB
Danceability
1.483Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

233 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 91% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 233 readings; 87% of them land within 2% of it, and the middle eight tenths of them run from 123.1 to 139.7 BPM.

At 139.5 BPM one beat lasts 430.1 milliseconds, so a sixteenth note is 107.5 ms and a dotted eighth 322.6 ms — the delay times for this recording. Counted half as fast it is 69.8 BPM, counted twice as fast 279. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 443.3 Hz, which is 13 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.7 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.917 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 140 BPM

Note valueBeatsMillisecondsHertz
Whole note41720.40.58
Half note2860.21.16
Dotted quarter1.5645.21.55
Quarter note (one beat)1430.12.32
Quarter triplet0.667286.73.49
Dotted eighth0.75322.63.1
Eighth note0.5215.14.65
Eighth triplet0.333143.46.98
Dotted sixteenth0.375161.36.2
Sixteenth note0.25107.59.3
Sixteenth triplet0.16771.713.95
Thirty-second note0.12553.818.6

Half time 69.8 BPM · double time 279 BPM. Every row is one beat (430.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. Girl Keeps Coming ApartAerosmithA major140BPM
  2. Song for Bob DylanDavid BowieA major140BPM
  3. BirthdayThe BeatlesA major139BPM
  4. The Way We WereBarbra StreisandA major139BPM
  5. Mississippi QueenMountainA major140BPM
  6. Down in the ParkFoo FightersA major140BPM
  7. Who KnewP!nkA major140BPM
  8. WalkFoo FightersA major140BPM
  9. Feliz NavidadCéline DionA major140BPM
  10. Tears of RageBob Dylan & The BandA major140BPM

Recordings in A major, ordered by how near their tempo is to 140 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 140 BPMA major at 130–139 BPMa‐ha

MusicBrainz collapses 14 recording ids into this one. Recording id b10ea843-9515-47d1-86a7-8486df98049b.