a‐ha · Stay on These Roads
Touchy!
Touchy! is in F major at 103.7 beats per minute.
Tempo
104 BPM · Andantemedian of 199 analyses · 103.6–106 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 94%share of analyses that agreed
- Analyses
- 199people who ran the extractor
- One beat
- 578.6milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.63dB the level wanders from its average
- Loudness
- 0.902Essentia's 0–1 scale, not dB
- Danceability
- 1.484Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
199 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 94% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 199 readings; 46% of them land within 2% of it, and the middle eight tenths of them run from 103.6 to 106 BPM.
At 103.7 BPM one beat lasts 578.6 milliseconds, so a sixteenth note is 144.6 ms and a dotted eighth 433.9 ms — the delay times for this recording. Counted half as fast it is 51.9 BPM, counted twice as fast 207.4. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.63 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.902 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 104 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2314.4 | 0.43 |
| Half note | 2 | 1157.2 | 0.86 |
| Dotted quarter | 1.5 | 867.9 | 1.15 |
| Quarter note (one beat) | 1 | 578.6 | 1.73 |
| Quarter triplet | 0.667 | 385.7 | 2.59 |
| Dotted eighth | 0.75 | 433.9 | 2.3 |
| Eighth note | 0.5 | 289.3 | 3.46 |
| Eighth triplet | 0.333 | 192.9 | 5.19 |
| Dotted sixteenth | 0.375 | 217 | 4.61 |
| Sixteenth note | 0.25 | 144.6 | 6.91 |
| Sixteenth triplet | 0.167 | 96.4 | 10.37 |
| Thirty-second note | 0.125 | 72.3 | 13.83 |
Half time 51.9 BPM · double time 207.4 BPM. Every row is one beat (578.6 ms) times the fraction in the second column.
Closest in key and tempo
- The BestTina TurnerF major104BPM
- Everything’s Good (Good Ass Outro)Chance the RapperF major104BPM
- Bleeding LoveLeona LewisF major104BPM
- Stay on These Roadsa‐haF major104BPM
- Change ClothesJay‐Z feat. PharrellF major104BPM
- The Tide Is High (Get the Feeling)Atomic KittenF major104BPM
- I WillThe BeatlesF major103BPM
- New Orleans Instrumental No. 1R.E.M.F major104BPM
- Rock DJRobbie WilliamsF major103BPM
- Lonely TogetherAvicii feat. Rita OraF major103BPM
Recordings in F major, ordered by how near their tempo is to 104 BPM. A calculation, not a recommendation.
All songs in F majorAll songs at 104 BPMF major at 100–109 BPMa‐ha
MusicBrainz collapses 8 recording ids into this one. Recording id 8c4ddcdb-1aa4-404d-9755-1e23bf087b9e.