.38 Special · Wild‐Eyed Southern Boys
Hold On Loosely
Hold On Loosely is in A major at 128.2 beats per minute.
Tempo
128 BPM · Allegromedian of 129 analyses · 128.1–132.6 across the middle eight tenths- Key
- A major3 sharps · the key most of the analyses agreed on
- Agreement
- 81%share of analyses that agreed
- Analyses
- 129people who ran the extractor
- One beat
- 468milliseconds, 60,000 ÷ BPM
- Tuning
- 441.8Hz · +7 cents from A 440
- Dynamics
- 3.56dB the level wanders from its average
- Loudness
- 0.925Essentia's 0–1 scale, not dB
- Danceability
- 1.201Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
129 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 81% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 129 readings; 85% of them land within 2% of it, and the middle eight tenths of them run from 128.1 to 132.6 BPM.
At 128.2 BPM one beat lasts 468 milliseconds, so a sixteenth note is 117 ms and a dotted eighth 351 ms — the delay times for this recording. Counted half as fast it is 64.1 BPM, counted twice as fast 256.4. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.56 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.925 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in A major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with A major
Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 128 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1872.1 | 0.53 |
| Half note | 2 | 936 | 1.07 |
| Dotted quarter | 1.5 | 702 | 1.42 |
| Quarter note (one beat) | 1 | 468 | 2.14 |
| Quarter triplet | 0.667 | 312 | 3.21 |
| Dotted eighth | 0.75 | 351 | 2.85 |
| Eighth note | 0.5 | 234 | 4.27 |
| Eighth triplet | 0.333 | 156 | 6.41 |
| Dotted sixteenth | 0.375 | 175.5 | 5.7 |
| Sixteenth note | 0.25 | 117 | 8.55 |
| Sixteenth triplet | 0.167 | 78 | 12.82 |
| Thirty-second note | 0.125 | 58.5 | 17.09 |
Half time 64.1 BPM · double time 256.4 BPM. Every row is one beat (468 ms) times the fraction in the second column.
Closest in key and tempo
- Waiting for LoveAviciiA major128BPM
- BubblyColbie CaillatA major128BPM
- Bedlam in BelgiumAC/DCA major128BPM
- Say You Love MeFleetwood MacA major128BPM
- Beth/RestBon IverA major128BPM
- The Veldt (8 minute edit)deadmau5 feat. Chris JamesA major128BPM
- If I Needed SomeoneThe BeatlesA major128BPM
- The Veldt (Tommy Trash remix)deadmau5 feat. Chris JamesA major128BPM
- Celebration DayLed ZeppelinA major128BPM
- The Prime Time of Your LifeDaft PunkA major129BPM
Recordings in A major, ordered by how near their tempo is to 128 BPM. A calculation, not a recommendation.
All songs in A majorAll songs at 128 BPMA major at 120–129 BPM
MusicBrainz collapses 29 recording ids into this one. Recording id 6e580fe0-8ced-4fa6-9f0d-247d0d6b1724.